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Количество страниц: 14 с.
- Общественные науки. Образование > Народное образование. Воспитание. Обучение. Организация досуга > Профессиональное и среднее специальное образование,
- НАУКА ЯКУТИИ > ОБЩЕСТВЕННЫЕ НАУКИ > Народное образование. Воспитание. Обучение. Организация досуга > Профессиональное и среднее специальное образование.
The article is devoted to the topical problems of the use of generative neural networks of artificial intelligence, online tools and services in the educational process and in the professional activity of a teacher. It considers the experience of creating and applying interactive exercises and tasks in the educational process of teaching Russian language to foreigners and humanities students of Russian literature. Some prospects for the use of generative neural networks of artificial intelligence in the professional activity of a teacher are touched upon. The inevitable process of digitalization of education is changing the ways in which participants in the learning process learn and interact. The use of information and digital technologies in education leads to improved accessibility of educational resources, individualization of learning, and improvement of knowledge assessment methods. However, it is important to remember that digitalization carries a number of threats, such as the possibility of additional distance learning, cybersecurity issues, as well as challenges in the field of data privacy. It should also be noted that the philosophical principles of digitalization of education should take into account humanistic values and focus not only on technological aspects, but also on the development of the personality of the learning digital generation, the formation of its critical thinking, the ability to self-development and self-improvement. For them, the digital environment, information and digital technologies are the main aspect of their life.
Бурцева, С. С. Применение цифровых сервисов и генеративных нейросетей в обучении русскому языку как иностранному / С. С. Бурцева, Е. Е. Ядрихинская ; Северо-Восточный федеральный университет им. М. К. Аммосова // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. Серия "Педагогика. Психология. Философия". - 2024. - 2 (34). - C. 5-18. - DOI: 10.25587/2587-5604-2024-2-5-18
DOI: 10.25587/2587-5604-2024-2-5-18
Количество страниц: 8 с.
- Общественные науки. Образование > Фольклор,
- Искусство. Фотография. Музыка. Игры. Спорт > Развлечения. Зрелища. Игры > Театр. Сценическое искусство,
- НАУКА ЯКУТИИ > ОБЩЕСТВЕННЫЕ НАУКИ > Этнография. Обычаи. Жизнь народа. Нравы,
- НАУКА ЯКУТИИ > ИСКУССТВО. ФОТОГРАФИЯ. МУЗЫКА. ИГРЫ. СПОРТ > Развлечения. Зрелища. Игры > Театр. Сценическое искусство.
The novelty of the research lies in the literary analysis of the performances of the Sakha theater, the definition of epic content in modern stage works. For the first time, the material of the creative rethinking of Western European, Russian and Yakut drama on the ways of forming an aesthetic manifesto of the national theater is summarized. The purpose of the study is to identify the epic code as a key that reveals the role and mission of the Sakha theater in the spiritual culture of the people. The objectives of the research include: 1) to reveal the functionality of the local content of Western European drama by W. Shakespeare, E. T. A. Hoffmann and B. Brecht, whose plays made it possible to creatively decipher the code of the epic heritage of the Sakha people; 2) consider the interaction of theater and prose in the experience of director's staging. The research used methods of historical, literary, comparative and contextual analysis. The study revealed the process of theater's movement towards a synthesis of classical and epic theatrical art. The significance of working with the prose works of P. Oyunsky,S. Kurilov, Ch. Aitmatov as a conceptual part of the manifesto of the Yakut theater is assessed.
Желобцова, С. Ф. О генезисе эпического кода в эстетике Саха театра / С. Ф. Желобцова, С. Н. Барашкова ; Северо-Восточный федеральный университет им. М. К. Аммосова // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. Серия "Вопросы национальных литератур". - 2024. - N 1 (13). - С. 75–82. - DOI: 10.25587/2782-6635-2024-1-75-82
DOI: 10.25587/2782-6635-2024-1-75-82
Количество страниц: 13 с.
The relevance of the research is determined by the fact that the study of the ways of introducing direct speech of the characters in the Yakut heroic epic would allow us to identify characteristic formulas, representativeness of the style, peculiarities of local traditions, stability or changes in time, originality of textological techniques in fixing olonkho, etc., which is important for understanding the originality of the poetics of the folklore text. The aim of the work is to identify the peculiarities of the transmission of the direct speech of the characters in olonkho. To achieve this goal, the following tasks were set: to define direct speech as an element of Olonkho narrative; to study the structure and lexical features of the introduction of direct speech by characters in Olonkho; to characterise characters in formulaic constructions that precede direct speech. Structural, lexical analysis, comparative method, system analysis of Yakut epic poetics were used. It is found that the presentation of direct speech has its own structure, consisting mainly of constructions with verbs of speech, common places, typical expressions, which can be before direct speech, within direct speech and after direct speech. The Olonkho mainly use constructions before and after direct speech. We have discovered an abundance of epic formulae, verbs that characterise the speech and singing of the heroes. In addition, there are sometimes verbs not related to 'speaking' and constructions without a verb. The dialogues of the Olonkho characters by D.A. Tomskaya from the Verkhoyansk region are characterised by simplified repetitions of a single verb. In some cases, while recording the text, the collectors were able to introduce sentences of their own, in which the name of the character and his action are indicated. It turned out that the formulaic constructions that precede direct speech contain character descriptions: first of all, this applies to the abasy bogatyr, female images, shamans, shamanesses, a child, zoomorphic images.
Кузьмина, А. А. Передача прямой речи персонажей в якутском героическом эпосе олонхо / А. А. Кузьмина ; Институт гуманитарных исследований и проблем малочисленных народов Севера // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. - 2024. - Т. 21, N 1 (95). - С. 127-139. - DOI: 10.25587/2222-5404-2024-21-1-127-139
DOI: 10.25587/2222-5404-2024-21-1-127-139
Количество страниц: 1 с.
Количество страниц: 1 с.
Год выпуска: 2003
Количество страниц: 1 с.
Количество страниц: 1 с.
Год выпуска: 2023
Год выпуска: 2024
Год выпуска: 2024